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ANTHONY DAVIS
Cambridge, UK
I hadn’t yet provided myself with
a bottle wherewith to furnish the flat I was going to, so when I got into
the lift I pushed STREET. The maintenance man and I were the only
passengers and I avoided eye contact as we shook and rattled slowly down -
I didn’t want to hear any long stories, not even my own. Several times he
seemed about to speak but didn’t. When we got out at street level he
followed me at a distance for a while, then I lost sight of him. With one
hand on the stunner in my pocket I went cautiously... oh no, hang on,
this is the quote, isn't it? Sorry mate, I thought this was your account
of your 4qation! As you were - Ed.
This, on both sides of 13 sheets of
genuine gold A4 from Rymans, is what met the light of dawn on my
account, 4th February 2008:
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Strange is as strange
does
I hadn’t yet provided myself with a
bottle wherewith to furnish the flat I was going to, so when I got into
the lift I pushed STREET. The maintenance man and I were the only
passengers and I avoided eye contact as we shook and rattled slowly down -
I didn’t want to hear any long stories, not even my own. Several times he
seemed about to speak but didn’t. When we got out at street level he
followed me at a distance for a while, then I lost sight of him.
With one hand on the stunner in my pocket
I went cautiously through streets glittering with broken glass, islanded
with excrement, and odorous with nitrates. There were few people about and
those few were all accompanied by large xenophagous-looking dogs, often in
pairs. Eventually I saw a man with an introspective-looking Irish
wolfhound. When I approached to ask where I could find an off-licence the
dog licked my hand and its master offered me his wallet. ‘Here,’ he said,
‘take it - I haven’t got a watch or jewelry or anything like that.’
‘I don’t want your money,’ I said. ‘I’m
looking for an off-licence.’
‘Down there,’ he said pointing while the
dog sniffed my crotch. As I thanked him and walked away he said to the
dog, ‘You don’t have to lick everybody’s goddam hand.’
After a while I found a Corporation
off-licence and bought a bottle with a label that said WHISKY and nothing
else. Being simply a MAN who was going to DRINK in a ROOM I liked that.
I went to the thirty-third floor of the
crumbling tower block [...]. As I unlocked my door I felt that little rush
of despair that always hits me when I walk into a downtime and breathe in
the pong of emptiness and the last occupant. It was a classically
existential short-stay dwelling - even the dim grey dusk in it seemed to
have been used by too many people.
Without turning on the lights or looking
at anything in the room I switched on the air cleaner, set it to HIGH,
went to the viewbubble, sat down, and looked out into the rain and the
twilight. I wanted to be very careful with the twilight, I wanted to be
deep and silvery in it, wanted to hover quietly in the pinky-purple and
the dove-grey of it, wanted to drink the Chopin of it and the yearning.
The holes of bright emptiness grew small and twinkled in my vision like
distant stars; if I held my head right I could lose them in the lights of
Oldtown West 81 below me, its glimmers and its colours that flickered in
the rainy dusk.
from
Fremder
Jonathan Cape, London (1996), pp. 100-102.
* * * * *
This extract from his eighth novel is distributed on 4 February 2008
in celebration of his eighty-third birthday
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I can report the distribution of the
remaining dozen 4qations as follows (sadly, lack of time, energy and people to
ask prevented them all being made on the appointed day, but I'm really not one
to bother about rules, and, in any case, it had been my decision, based on a
favouritism that stems from my birth-date, to try to 4qate 13 times):
1. Left in the telephone-box in my
village where my other bout of 4qating began. However, unlike then and as was
known to me from a visit to the scene of the wreckage (at which I was given to
understand that it had been brought about at 4.00 a.m. - no, not 3.00 a.m. -
on the Sunday before Russ Day), it no longer stood on its base, its top was
separate and broken, and it lay near a partly demolished wall. I left the A4
sheet inside, floating it in from where the top used to be, in the hope that
someone might see it.
(I have now learnt, courtesy of one of
the local free rags, that the story behind what I saw was the theft of the BT
cash-box, carried out using a chain and what was thought to be the power of a
pick-up truck - whatever vehicle it was pulled the phone-box off its
foundations. Since the phone-box was listed, readers will be glad to know that
it appears that it will be replaced 'with one of a similar age and style'.)
2. With Blu-Tack®, displayed at the
centre point of a large bookcase at the Leisure Centre at Fulbourn Hospital
(see item 8, below).
3. Similarly, on the back of the door of
the toilet near the patients' bank and pharmacy. (At one point, I turned it
over and stuck it up again with the acknowledgement showing, but someone then
put it back...)
4. To the attendant at my local Total®
petrol-station who sold me some peppermints.
5. To my friend Robert on meeting him for
a drink at The Exhibition in Godmanchester (which is named after The Great
Exhibition).
6 and 7. To bar staff on the same
occasion (the last of the items distributed on 4 February).
8. To my colleague Paul (on Wednesday 6
February), who then told me - as no one else has - that he had read item 2,
above.
9. On the same day and with a
drawing-pin, attached to a notice-board near the chaplaincy office (also at
Fulbourn).
10. Later, to my bemused neighbour Adam
on his doorstep.
11 to 13. Put into the post on Saturday 9
February (without identification, beyond the handwritten address, or
explanation) to my friends Nigel and Linda, Jo and Ed, and Piers (in the case
of whose 4qation, it was first read by my friend Penny and her brother Rob).
QED,
Anthony
~ ~ ~ ~
Anthony's 2007 4qation
Here, thanks to the processing power of
the mighty Samuel IV, is what was printed on ten sheets of yellow A4 (card)
in the early hours of Russ Day:
Orff we go!
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`My name is Hermann Orff and you've never heard
of me.'
`Oh, but I have. Luise has mentioned you several times.'
There was an upholstered bench behind me. I sat down on it.
`Luise,' I said, `has mentioned.'
`You. More than several times, reverberantly and with plangency.'
`What is Luise to you?'
`Lost. Gone. Two years only, then Znrvv! No more Luise. A note on the kitchen
table like an unaccompanied cello in a studio with dusty windows.'
`Don't roll the credits over it; just tell me plangently when she left you.'
`Seven years ago with my sound man.'
`What do you suppose she heard in him?'
`Other music.'
`And what did she ever see in you?'
`Flickering images.'
`Of what?'
`It doesn't matter, it's the flickering that gives the excitement. Being is
not a steady state but an occulting one: we are all of us a succession of
stillnesses blurring into motion with the revolving of the wheel of action,
and it is in those spaces of black betwen the pictures that we experience the
heart of the mystery in which we are never allowed to rest. The flickering of
a film interrupts the intolerable continuity of apparent world; subliminally
it gives us those in-between spaces of black that we crave. The eye is hungry
for this; eagerly it collaborates with the unwinding strip of celluloid that
shows it twenty-four pictures per second, making real by an act of retinal
retention the here-and-gone, the continual disappearing in which the lovers
kiss, the shots are fired, the horses gallop, rrks?'
`Luise saw all that in you, did she?'
`It isn't only that I make films, I am in myself a big flickerer and women
respond to this. I'm so much there/not there/there/not there. Very exciting.
It stimulates a woman's natural
holding-on reflex.'
`And yet Luise seems to have let go of you.'
`Nothing is for ever.'
From The Medusa
Frequency, Russell Hoban, Jonathan Cape, London (1987), pp. 87-88.
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No doubt I've broken all the rules, but even the early-morning experience with
the local phone-box (which no one uses, I guess - I checked, and the card was
still there, at any rate, when I drove back from the station yesterday) made
me start to feel that all this leaving 4qations amongst the groceries just
didn't gel with me.
Accordingly, I was glad that, when having an ice-cream with my
ex-sister-in-law en route and showing her the Longrow bottle, a chap at the
next table was interested, and got involved in my explanation to her of my
impending visit to a certain (as of 3.00 a.m. on Sunday, I gather) 82-year-old
of our acquaintance. So what could be more natural than to pass him one of my
9 cards with the Medusa text - I gather that others have disseminated multiple
texts, but heigh-ho! - for him to read.
What, equally, could be more natural than for him to hand it to his lady
partner when she returned, from the loo (I think), and for her to read it, and
be told about the novelist and his gift of whisky - quite reasonably, she read
it, folded it in two, and put it in her bag...
So the scene was inevitably set for the following 8 distributions (of which,
needless to say, there are no photographs - I'm not *that* strange):
1. After a refusal by my neighbour on the Piccadilly Line, to a woman next to
me on the District Line who was reading a book (she asked if I had written the
piece - I said that I hadn't and briefly explained).
2 & 3. To the two female staff on duty at Auntie Anne's cookie outlet at
Fulham Broadway - they wanted one each.
4. To the vendress of nuts and the like under the name of Cranberry who sold
me 50g of cashews.
5. To the saleswoman at Virgin® (where I bought The Rutles for Russ -
he didn't know of it, so I described it as a piss-take of The Beatles).
6 & 7. To the two female bar staff, post distribution, to whom I was
attempting to explain that others clutching Hoban books and/or A4 of a certain
hue might be looking for me.
8. Finally, to the attractive woman with a shawl who was keeping her friend
company on her birthday (yes, 4 February) at a table nearby, who, unlike her
friend (who said that she was too drunk to read it), read the piece and
thought that what she described as Russ' 'punctuation' was odd. (Questioning
revealed that she had (a) not understood the shocked incoherence of Orff in
context when he reports saying "`Luise,' I said, `has mentioned.'", and (b)
that she meant the slashes when Kraken says 'there / not there / there / not
there'...)
Unorthodox, maybe, but for me it was a far more human experience than skulking
amongst the fruit and veg - and I could never do it any other way, whatever
the rules. Sorry to shock you all, but no!

Anthony was the Kraken's 2007 'Birthday Bottle' czar,
or the member who volunteered to co-ordinate the purchase and delivery of the
group's birthday gift to Russell Hoban. This is his account of said delivery:
I can't guarantee that Russ will have
broached the capsule of what he and I referred to when I handed it over as
'the gurgling stuff' by now and tried it, but he did say that he would look at
the tasting notes first - I provided a copy for him in the presentation-box,
on
yellow A4 [card], of my posting to this group.
I can tell everyone that he also received (in no particular order):
1. The bluebird card as chosen, which contained the £20 Amazon voucher (as
well as an allusion to pp. 71-73 of Gene Brewer's novel K-PAX, where
'the bluebird of happiness' makes its appearance). (Wording of card and
voucher [of which there may be one, if the old film-stock permits] to
follow...)
2. The Rutles on DVD from me, as I had seen it in Fulham Broadway's
Virgin® - whilst I was biding my time - at a knock-down price (along with
Dirty Harry, which, likewise on impulse, I kept for myself).
3. The attendance of a gentleman with a laptop who was doing a MORI poll when
I arrived, but who obligingly allowed Russ to sign Her Name Was Lola
and The Bat Tattoo for me, as well as adding the injunction 'BE
STRANGE!' to my already signed copy of Fremder (on the basis that I
sought words suitable to its impending re-reading). Let it be said that I have
been VERY STRANGE to-day, mostly before I was encouraged to do so, which
turned Russ' words into a sort of blessing or benediction on what happened, as
well as a sanction for future strangenesses...
4. Sundry phone calls from family members who were busily rehearsing their
renditions of the usual birthday song for when he should be free to hear them.
5. A copy (inscribed for him by me) of Italy, My Italy (or Italy!
Italy! Italy!), that well-known compendium compiled by Thomas M. Phear PhD
(with the assistance of Dr Pauline Sentence) - Belston Night Works, 1997 (0
907795 91 9).
I think that the list is properly concluded, save to say that Russ took all
that was offered in good spirits and stead, and wished his best to The Kraken
one and all, leaving me to go on my merry way to The Pelican for (what turned
out to be) a less-than-Hobanesque, yet still SA4QE-oriented, few drinks, soup
and Caesar® salad...
It was, though, a shame only to have the company of Nicole's apologies and
Steve's bid at bi-location - unless there were other Hobanites there whom I
failed to detect (but I don't really think so). Heigh-ho for the SA4QE drink!
(Needless to say, I downed a Laphroaig® for the benefit of and in honour of
the absent (and refused to-day's ever-present offer of the abomination of
ice).)
Anthony
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